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Work, Design >> 03.07.2007 @ 1:10 am

I am proud to present my newest project called “Artzilla

Artzilla believes everyone should posses apiece of ART. We believe everyone should be able to afford Art. Artzilla is a platform where up and coming artists work can be seen, sponsored and bought. We don’t want to compete with the latest figures from Sotheby’s. We are young and passionate and believe that we can help bring together a new generation of artists, artlovers and collectors. There is a first time for everything.

Artzilla opened its doors for submissions today! The platform will launch at the end of this month

 

 
Private >> 16.06.2007 @ 1:15 am

„denkendes Metall“ (Computer) auf navajo (Richtige Antwort)
(habe gerade diesen Test gemacht bei süddeutsche.de)

 

 
Private >> 14.06.2007 @ 7:41 pm

Flickr has introduced a new filter system. It is meant in a good way but it restricts countries to their local Terms of use which is discriminating. Flickr users in England have more rights than users from Germany and Korea.
“If your Yahoo! ID is based in Singapore, Germany, Hong Kong or Korea you will only be able to view safe content based on your local Terms of Service.”
These countries are in it for now - who knows where it will spread next.
Join the Against Censorship at Flickr group to show Flickr that they are heading in the wrong direction

 

 
Work >> 09.05.2007 @ 2:05 pm

The 2nd TakeAway Festival hosted in the Dana centre is presenting an exhibition of a mix of interactive DIY projects created by a group of innovative international artists.

The Austrian Lukas Berg is introducing the “Human Tool” interactive installation. Birk posits the notion of a human avatar as a tool for vicarious control, not in a game environment but in reality itself with the help of visitors to the exhibition. With a web cam, projector, computer, screens and audio tools, “Human Tool” transforms remote sensory information into data. A must see in this years TakeAway extravaganza.

TakeAway veterans Someth;ng, a London based creative practice, are this year showing their Timelines project. The project is exhibited at Takeaway with the help of sponsorship from Bytemark, Firstserve and Wavetrend. Using RFID (Radio Frequency Identification) technologies, Someth;ng have created an interactive environment that is able to record visitor location and other data during the TakeAway festival and this then becomes part of a festival scrapbook and photo album.

The resulting archive system not only offers an added value to TakeAway participants but also engages them with past and present highlights of the whole event.

Dune & Devil; is a project by Grischinka Teufl a.k.a Georg Russegger and Tina van Duyne, who split their time between Tokyo, Vienna and Germany and are very much in keeping with their cosmopolitan lifestyle. The online application produces a sociographic mix of data from two geographical locations. This unique geosocial application combines GPS(Global Positioning System), audiovisual media, mobile technologies, telecommunication tools and specialized software, to synchronize two concurrent urban experiences. The two individuals, one located in Austria, the other in Japan offer us an elision of their very particular DIY habitats.

Italian Matteo Menapace who is on the verge of finishing his Masters Degree at Central Saint Martins College of Art and Design is introducing his thesis Project “NooSpeak”. The online application, which manipulates data provided by a very popular search engine, takes certain aspects of the typical searching experience to develop a different form of verbal communication between the user and the software agent, a kind of chat facility between the user and the search engine. “NooSpeak” questions the assumed transparency of a search engine both in terms of content and expression. With search engines being such standard tools in today’s Web environment, Menapace’s work is a timely reminder of their influence on behaviour and language.

Rocca Gutteridge from Edinburgh, is presenting his “Touching Apples” sculptural installation. He describes his project as follows: “When the gradually rotating paintbrush strokes the apple’s dehydrating, rubbery skin a copper switch is activated, expelling intriguing and unnerving real- life, pre-recorded human ’slurps’.” Gutteridge’s machine sculpture debuts at the TakeAway exhibition 2007.

London based designer Suki Beg is exploring the interaction between environments and humans. Her interactive route narrative “As the Ice set” taking place on Whitechapel’s Commercial road, presented as an audio guide, accompanies the listener through the past and present of the area’s vibrant history.

Parisian self-proclaimed media mutant, founder of the “The Mass Culture Movement (mcmparis)”, radio DJ and video artist Xavier Faltot is delighting us with his “Transmediaquizz” and “Videodrone” visual attack. He engages in newsworthy topics such as ecology, corporate power, mass culture, America and controlled society. Faltot sees his video creations as tactical video weapons, a contemporary aesthetic to catch the audience and work with the subconscious mind to embed powerful ideas and to create or dethrone ideologies in post-MTV style.

Last but not least Dave Miller, who also took part in last year’s festival, will present an online comic strip generator. Miller tells stories through images and text-based works, mixing topical social and political issues, trends and events, with his own experiences and life-views. His generator allows visitors to become author, collaborator, and even a character within the story. Participants are able to add their own comments, gossip, drawings and can also develop storylines. All the input created is mixed with dialogue generated through distortion of live news taken from web feeds. In true DIY fashion visitors will be able to take home the material they have put together.

 

 
Work >> 08.05.2007 @ 10:08 pm



 

 
Work >> 08.05.2007 @ 9:51 pm

The three day extravaganza of talks, workshops, performances and exhibitions returns for the 2nd time to the Dana Centre in London.
Workshops: Arduino, Processing, Blogging, HIVE networking, Drupal, Critical Practice, Little Sound DJ
Book your place on a workshop via the Dana-Centre’s website.
The silent revolution goes on! Technology continues to quietly transform creative possibilities, social structures, communication networks and business opportunities.
This time the festival will have more participation from undergraduates from degree courses across the country and we are showcasing their work in the Dana Centre exhibition spaces. This work is ground breaking and original, and finds interesting solutions for old problems and demonstrates new relationships between technology and other media.The Takeaway Festival tries to identify the changing interfaces between technology and practice. It celebrates a D-I-Y praxis that is infusing the creative landscape and challenging the status quo of top down software and proprietary licensing.TakeAwayFestival
Takeaway Festival 2 is supported by the Arts Council of England, Thames Valley University and the Dana Centre

 

 
Private >> 08.05.2007 @ 2:01 am

Ever watched MTV’s dating show “Date my Mom”? Three girls or boys have to date the prospective boyfriend, girlfriends mum to find out who would be best to go out with. I like the show, it’s fun, easy TV-junk, but there is one thing that really bothers me. Where is “Date my Dad”? I want to see dads checking out young girls for their sons, or maybe their lesbian daughters, better some hot boys for the daughters and sons… How much better would that be to the moms version. Why haven’t you thought about that MTV? Please take it into consideration - would be a blast. I also would like to see an English version, to compare them to the Americans.

 

 
Private >> 28.04.2007 @ 11:59 am

It is Saturday, April 28th, 11.08 a.m. 2007. After a two-year blog break I am happy to present my new “dieYara” blog. Now you all think, what’s with the name? Why is Yara dying or why should Yara die? Well, she is not and should not, as the title is German and therefore “die” is the definite female article. If it was translatable it would probably be something like “theYara” but honestly that doesn’t sound so great. So why did I choose the name “dieYara” being aware of the misunderstandings? Basically it is short, it includes my name, and is hard to bore me unless I get bored of my own name. Obviously other factors played a role in my choice:
1. “Yara.com” is taken up by a Swedish fertilizer company,
2. Yarasworld my first domain name ever registered –after 9 years I got bored of it and finally realised it sounds a little stupid.
3. “dieYaraGrüßt” my former blog name, never made a good Url as of the Umlaut and the “ß”.
4. I had “deerinthewoods” registered for a while, because I was sitting in a restaurant called “Elk in the woods” at the time and couldn’t find a domain name I liked.
5. If you run a spell check on “dieYara” it wants to replace it with “die hard” which is obviously way cool.

I stop talking about the name now and move on. As you can see I am not yet finished with the site, the static pages yet have to be filled and I need to install some fancy plug-ins. Definitely going to get some flickr, plazes thing going – well the usual blog scheme. Wait and see

X Yara

HappyBirthdayAnna